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After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.

Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.

Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.

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Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.

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Examines the legacy, cultural impact, and body of work of American R&B/funk/jazz/soul/disco band Earth, Wind & Fire, and will feature exclusive access to the band’s archives of visual, audio, and written material, as well as the support of the estate of Maurice White and the band.

This documentary delves into the unanswered questions surrounding the trial of Jessica Wongso — years after the death of her best friend, Mirna Salihin.

Narrated by Ethan Hawke, Welcome Nowhere tells the true story of a community of Roma people (commonly known as Gypsies) who live in old train boxcars in Sofia, Bulgaria after being forcibly evicted from their homes. Without bathrooms for more than 200 people, they struggle to survive, waiting for help from the government that never seems to come.

In 1967 Canadian filmmaker Hugh O'Connor came with a crew to eastern Kentucky to make a film showing people from all walks of life in the United States. They finished the day by filming coal miners and their families in rental houses. As the filmmakers were leaving, Hobart Ison, the owner of the property, drove up and fired three shots, killing Hugh O'Connor. Elizabeth Barrett, from Kentucky herself, explores why this happened by trying to understand the people and culture of eastern Kentucky.

The documentary is a portrait of an artist and a portrait of a deadly disease. Lene Marie Fossen was a gifted photographer who suffered from severe anorexia. Self Portrait is a film about the power of art and survival, but it also raises important questions about what treatment one who suffers from severe anorexia needs.