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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Andre inherits a small fortune, which pushes him into a series of surreal and aimless encounters with eccentric strangers.

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No description available.

In a world torn apart, silence speaks louder than words. A fleeting moment of birth challenges the noise of war.

A wild animal attacks six medical students on a weekend hike in the woods. One by one, they become infected with a “feral disease,” turning them into rabid, bloodthirsty creatures, and the vacation becomes a nightmare as they fight to survive each other.

The adventures of Rak, who after his dismissal begins to reflect on the meaning of the word work and on the act of working.

In a tale of grief and rebirth, a young woman, paralyzed by the overwhelming weight of emotions, confronts the heart-wrenching choice between numbing her pain forever or embracing the agony to rediscover the beauty of feeling alive.

A boy lost in grief finds himself trapped in the quiet chaos of his own mind, seeking refuge and release through art and music.

A single mother. Her marriage ring. Her routine.

Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.