Several prohibition agents display cans and bottles of seized liquor for the camera. They are then shown dumping the goods at a junk yard.

Tommy Tucker's Tooth is a live-action short film by Walt Disney at his short-lived Laugh-O-Grams studio in Kansas City from 1922. The film was one of two commissioned by Kansas City Dentist Thomas B. McCrum. It earned the Laugh-O-Gram studio $500.

While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901)

This short follows a day of work for an Everglades wildlife trapper catching animals for zoos around America. In this film, his assignment is to go out into the swamp with his Indian assistant and find a bobcat, two black bear cubs and six rattlesnakes.

This two-color (green-blue and red) film was produced as a demonstration reel at the Paragon Studios in Fort Lee, New Jersey, under the direction of Kodak scientist John Capstaff. It features leading actresses, including Mae Murray, Hope Hampton, and Mary Eaton, posing and miming for the camera to showcase the capability of the complex Kodachrome process to capture their translucent movie star complexions and colorful, high-fashion clothing.

Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring.

Eugen Sandow, who claims to be the strongest man in the world, appears in the Edison Company's film studio.

No description available.

Documentary footage showing the alligator in several stages of growth, from babyhood to a ripe old age; a film taken at an alligator farm in California. In early 1913 as Thanhouser staff and crews were setting up a facility in Los Angeles, cameraman Carl Louis Gregory was taking documentary footage, from which four “split reel” short subjects were created: A MILLION BIRDS, filmed at California pigeon and ostrich farms; LOS ANGELES THE BEAUTIFUL (two different version with the same title), showing scenic attractions; and SEVEN AGES OF AN ALLIGATOR, filmed at an alligator farm. Released together, HIS UNCLE'S WIVES and SEVEN AGES OF AN ALLIGATOR filled up one 1,000-foot “split reel.” (Fandor)

It’s a world we don’t truly know—yet it feels oddly familiar. Deep canyons and jagged crevices carve through the land, while towering mountains rise above scorched plains. Lush jungles and acidic lakes conceal strange creatures—fierce predators, peaceful grazers, and masters of disguise. But this alien world isn’t in outer space. This world... is your body.

Charming animated illustration of one of nature's wonders from Britain's most inventive pioneer of wildlife filmmaking.

Two children, Ploetz and Larella, perform an Italian peasant dance.