“We were born in Liverpool but grew up in Hamburg”, John Lennon once said. This feature documentary seeks to find the truth in those words. The long and winding road that the Beatles took to worldwide fame passed through Hamburg, Germany in the early 1960s. Only a couple of years before they became household names, the former Quarrymen were cutting their musical teeth on nightclub stages in the city. Hamburg had become the vice capital of Europe after World War Two, its neon-lit streets home to sailors, sex workers, drug dealers, gangs and low life. Meanwhile, the English band was still developing, still young and virtually unknown. By the time of their last German visit in 1966, the Beatles were an international phenomenon. 'No Hamburg, No Beatles' explains how learning their trade in this fascinating city helped propel them to global stardom.

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It was a Friday night in 1980, December 5th to be exact: the Warfield stadium in San Francisco filled up lazily. The stage that was being set up was simple: three small wooden chairs, three microphones with the booms set at rather low height.Here comes the first hero of the evening on stage, the living legend Al Di Meola, with an outfit that smacks of a modern cowboy..His trusty acoustic guitar is placed on an easel next to one of the chairs. pick up the mic and.....

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Mexico 1926. Durazo is an outlaw and a former revolutionary. He is getting at the end of the quest for a coveted treasure. His mission will be interrupted by an unexpected meeting, which will define his life.

Hot off the heels of her 2001 World Tour, Kylie Minogue graces the stage for one final performance in her homeland of Australia. Filmed in Sydney, this theatrical extravaganza spans Kylie's 15-year musical evolution, including hits like "I Should Be So Lucky," "Better The Devil You Know," and the Top 10 smash, "Can't Get You Out Of My Head." From the catchy opening number, "Love Boat," to the sultry interpretation of Olivia Newton-John's "Physical," Kylie's energy never slows down

A detective tries to prevent the assassination of President-elect Abraham Lincoln during a train ride headed for Washington in 1861.

A Musical adaptation of Sam Rami's Evil Dead performed in Montreal.

Documentary exploring the king’s life and reign, looking at the relationships with the women in his life and considering the remarkable period in history he presided over – an era when the arts, culture, technology and architecture flourished in Britain.

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

Wahid Safwat is a playwright known for his many female relationships. Wahid meets the rising singer Laila and flirts with her, but she rejects him, so he decides to ensnare her and hides his true identity from her, that he is a famous novelist. The events unfold in a framework of comedic situations.