
Os Sinos Tocam à Meia-Noite
Crime · Drama · Thriller
Top Cast


Anthony Dylan
Anthony Dylan
Miguel
Anthony Dylan
Miguel
Gabriel Dias
Gabriel Dias
Tomás
Gabriel Dias
Tomás


João Taboada
João Taboada
Tomás Adolescente
João Taboada
Tomás Adolescente
Saúl Branco
Saúl Branco
Miguel Adolescente
Saúl Branco
Miguel Adolescente


Hugo Tourita
Hugo Tourita
Diretor de Orfanato
Hugo Tourita
Diretor de Orfanato
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After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman and reporter Jennifer Evans begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.

100 years since the beginning of First World War. Locality - French cemetery in Bitola. State protocol. There are deputies, ministers, ambassadors, military attaches, consuls, honorary consuls, media present - Priests - Orthodox, Catholic, Muslim. - Military band. Jean Batiste Valerie, an old man of about 77 years of age, arrives in Bitola for the first time. Tiny, petite, with thin and gray hair, arrives late at the sad ceremony held in honor of the fallen French soldiers in the First World War. According to correspondence and information from the French army, his predecessor with the same name and surname must be located somewhere nearby. The ceremony had already begun.
Ho Pui-lan was the secretary of the writer Wu Him, but she died suddenly at home. Ho's mother commissioned private detective Chan Kin-chau to investigate and found out that Pui-lan and Him were having an extra-marital affair, and also discovered that the contents of Him's fiction were similar to the contents of Pui-lan's suicide note. When Kin-chau finds out that the contents of Him's fiction are similar to the contents of Pui-lan's suicide note, he and Pei Lan's sister Yuk-lan reenact the murder case, and Him is stimulated and hallucinated to reveal the truth of the murder...

In 1958, in the French Alp, the young servant Anna Jurin arrives in Saint Ange Orphanage to work with Helena while the orphans moved to new families. Anna, who is secretly pregnant, meets the last orphan, Judith, left behind because of her mental problems, and they become closer when Anna find that Judith also hear voices and footsteps of children.

During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.















