Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Amanda Montejo is a trans woman, make up artist, Guadalupana and a witch. This documentary portrait explores different facets of her spirituality and fragments of her past, revealing the duality of her being.

Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

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Delia Giovanola, one of the founder of Mothers of Plaza de Mayo, recounts the initial search for kidnapped grandchildren during Argentina's last military dictatorship. After decades of searching, she shares new strategies to restitute the identities of those missing children, which are now adults.

Sons and daughters of Argentinian exiles during the last dictatorship tell their story.

Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.

Ángel and Kimberly, two children affected by migration, turn a parked van into an imaginary vessel to go look for their friend Sofía, who returned to her homeland, Colombia. In this space between reality and fantasy, they build their sense of identity, belonging, and friendship amid uprooting.

In an empty warehouse, four women remember the rooms of the house where they were tortured during the last dictatorship. After testifying about their experience, the women make a sketch, similar to the one used by Judge Rafecas in 2020 to identify the site of the clandestine center.

On her birthday, Greta avoids the town fair. After work at a piñata shop, she finds silence in a secret spot. Returning home, as fireworks crackle and the corrida begins, her father, missing for five years, is back.

No description available.