Set against the conditions leading up to the French Revolution and the Reign of Terror, French doctor Alexandre Manette serves an 18-year imprisonment in the Bastille in Paris, followed by his release to live in London with the daughter he has never met.

Thomas Alexandre Davy de la Pailleterie Dumas was born a Caribbean slave in 1762 and beat the odds by rising through the ranks to become a revolutionary French general. The son of a nobleman, Marquis Alexandre Antoine Davy de la Pailleterie, and an African slave, Marie-Cessette Dumas, he became the first and highest-ranking Black leader in the French military and served under Napoleon Bonaparte. But despite his many exploits, which earned him the nickname of “Black Devil,” his role in the French Revolution was underplayed and he was even denied a full pension and legion of honor by Bonaparte.

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“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.

The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.

On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.

Jeannette Vaubernier, an impulsive shopgirl en route to deliver a hat, dreams of luxury and position as she saunters through the woods, and attracted by a pool of water, she disrobes and plunges in. Cosse de Brissac, a handsome private in the King's Guards, comes to her rescue and they become sweethearts. Meanwhile, Jean Du Barry, a shrewd roué, takes note of her at the millinery shop and tricks her into staying at La Gourda's, where she soon becomes a favorite among the men.

Directed by Philippe de Broca, the film recounts a bloody episode of the French Revolution. 1793, the Terror . In Vendée and in Bretagne, the chouans are revolting against the young Republic and fight for the monarchy restauration. The civil war divides also the family of the Count Savinien de Kerfadec, a liberal and generous noble and a flying machines inventor.

Set against the conditions leading up to the French Revolution and the Reign of Terror, French doctor Alexandre Manette serves an 18-year imprisonment in the Bastille in Paris, followed by his release to live in London with the daughter he has never met.

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

The French Revolution, 1794. The Marquis de Lafayette asks Charles D'Aubigny to infiltrate the Jacobin Party to overthrow Maximilian Robespierre, who, after gaining supreme power and establishing a reign of terror ruled by death, now intends to become the dictator of France.

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.