Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Being educated and knowing how drink, A-Ni is seen as the town's madwoman. Yulu is entranced by her.

A 1956 Belgian film, Low Light and Blue Smoke, showcases the music of American blues guitarist Big Bill Broonzy, capturing his performance at the Chapel of Les Brigittines in Brussels during his 1956 European tour.

50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

The rock-wild youth of the 1960s during the apparitions of their idols.

In the summer of 1994, a team of public television reporters filmed and interviewed seven Cubans a few days before their risky venture of setting out to sea in homemade rafts to reach the coast of the United States. Six made it far enough to be picked up at sea by the U.S. Coast Guard. When these balseros (rafters) were finally allowed to go to the United States, the film crew went with them to a string of several cities. Seven years later, the film crew visits them again, to discover that their destiny has been in the United States. Theirs is a true story about some of the authentic survivors of our times, the human adventure of people who are shipwrecked between two worlds.

No description available.

No description available.

Explore the life of Flannery O’Connor whose provocative fiction was unlike anything published before. Featuring never-before-seen archival footage, newly discovered journals, and interviews with Mary Karr, Tommy Lee Jones, Hilton Als, and more.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Documentary on career criminal Jack Black during an episode of burglary in Victoria BC. Locations around Victoria and Vancouver are explored in present day, with narration from Black's autobiography.