Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field

A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of loneliness than love. The romantic spirit of the cottage, however, overtakes them. They soon begin to look beautiful to each other, but no one else.

While holding a séance for skeptical novelist Charles Condomine, self-proclaimed 'spiritualist medium' Madame Arcati inadvertently summons the spirit of his deceased first wife Elvira, leading to an increasingly complex love triangle with Ruth, his current wife of five years.

Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.

Miss Kobayashi, Tohru, Kanna, and Iruru's peaceful lives are shattered when Kanna's father, Kimun Kamui, leader of the Chaos Forces, arrives and forces her to return to the Dragon World to fix a past mistake. With a war brewing between Chaos and Harmony, Kanna must find a way to unite the two worlds but is torn between her loyalty to her friends and her father's demands. Miss Kobayashi, however, refuses to let her go and tries to mend Kanna and Kamui's broken bond. As dragons clash, Iruru uncovers a hidden force manipulating the war. Can they stop the war before it consumes both worlds?

Past and present collide when aimless slacker Hannah gets hired to portray Lady Wadsworth -- a Southern belle from the 1800s -- for tours at Wadsworth Manor. Hannah figures she can fake it well enough, until the ghost of Lady Wadsworth appears and tells her it's time to change her wild ways -- or she'll haunt her forever.

A maid ("Dana Douglass" aka Barbara Peckinpaugh) willingly becomes the submissive "sex slave" of a wealthy woman ("Lonnie Harris" aka Lois Ayres). Soft erotica.

THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)

Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.

Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?

Society matron Mrs. Livingston Baldwin Crane is selected as a juror in the trial of former chorus girl Yvette Gordon, who's accused of murdering her rich older husband. In court and during deliberations, Mrs. Crane proves to be a disruptive and unorthodox juror.

As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.