The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.

A 'cine-ramic' roller-coaster ride through the rise, fall and re-birth of projected film.

In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.

No description available.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

What is the role of an ethnographic filmmaker as an outsider and student of a culture? Is it about representing, demonstrating, and reflecting or exposing, participating, and transposing? Although these are not binary terms of the historic discussions in anthropology, they share a lot to be experimented through shared cine-anthropology and sensory multimodal ethnography.

Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertainment.

From the 1st projection to the newest technology IMAX and 4DX, we will travel trough the history of french theaters, asking questions about technological developments throughout history, and finally, the hoped-for future of movie theaters and how they envision themselves in 20 years.