Bogo, a self-deprecating stand-up comedian, struggles to find happiness in a life where his only value seems to be making other people laugh.

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

A frustrated couple seeks the help of a therapist to solve their unique intimacy problem.

In the monotony of the night shift, Selena works at a Konbini while Victor, an exhausted delivery man, becomes a frequent visitor. What begins as chance encounters over cigarettes slowly evolves into an intimate connection. Together, they seek to escape the routines that weigh them down and find something beyond the everyday.

Schoolboy Hinata has a big crush on his classmate Shigure, but is too shy to tell her. On the day Shigure is leaving, Hinata flies off on the wings of a bird chasing after her to tell how he feels!

Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.

March 2020. The roomates leave with their families and Artur is left on one's own thinking that this lockdown will only lasts fifteen days. In the apartment next door, Cèlia lives in a similar situation. In these difficult moments they begin to become close, but always keeping in mind that she has a partner.

For one-night-only blood was spilled in the mud.

In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?

On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.