A documentary about the life of Johnny Cash and the making of Walk the Line (2005).

The making of Peter Jackson's adaptation of Tolkien's classic work.

A making of documentary that records the productions days of a university film crew, making a short film called 'Incomum'.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

An in-depth documentary about the making of David Cronenberg's feature film, Cosmopolis (2012), an adaptation of Don DeLillo's novel of the same name.

Documentary about Giger's work for the movie Alien (1979).

Celebrating the 30th anniversary of CLERKS, “We Never Smiled in the 90’s” is a short film cut from never-before-seen footage showing - for the first time ever - the making of the black and white cult comedy classic! The music is by Bear McCreary, from his score for The 4:30 Movie. Edited by Kevin Smith. Restoration by Stephen Frezza.

A documentary about the making of 'The Long and Short of It'.

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.

Documentary about the efforts to reconstruct Sam Fuller's The Big Red One closer to the film Fuller had originally envisioned.