A young journalist in London becomes obsessed with a series of letters she discovers that recounts an intense star-crossed love affair from the 1960s.

A hard-nosed Chicago cop is sent to London to bring back an American mobster being held for extradition. Brannigan in his Irish-American way brings American law to the people of Scotland Yard but has to contend with a stuffy old London first.

Pampa in Patagonia. June 1982. A chance encounter between a mute Argentine man who isn't mute, a lying Chilean woman who tells the truth, and some terrifying but actually scared shitless English soldiers gives rise to a dramatic comedy that summarizes three opportunities—the same opportunities that Argentina, Chile, and England failed to take in June 1982.

Ángela Ferrer lost her grandson during the Falklands War. A year has passed since the end of the war, and Ángela has not resigned herself to accepting her grandson's death, much less to not being able to visit his grave and pay him the tribute she considers more than deserved. Today, Ángela searches the cemetery for an abandoned grave that could serve as a space to visit her grandson. Finally, she decides on one that shows signs of neglect. She refurbishes it and leaves behind a small painting she made, in which we see a sailboat sailing across the sea. These visits take place weekly, while Ángela continues her daily routine, until one day they are suddenly interrupted.

A former soldier reunites with his comrades, who are unaware that they are dead.

Alex and Dani, two Kelper children living in Stanley, Falkland Islands, skip school to play in the fields, as they usually do every day. One afternoon, when they discover a black, viscous liquid they believe to be oil, their historical differences come to light.

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

Lieutenant Commander John Byrne of the Naval Secret Service and his partner Pvt. Bill Riggers chase criminal Dr. Sin Fang, who is desperate to find a lost sacred seal. (The fifth and only surviving episode of a six-part serial about an evil mastermind inspired on Sax Rohmer's Dr. Fu Manchu.)

Annie is stuck in a long-term relationship with Duncan – an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker's hit record from 25 years ago surfaces, its discovery leads to a life-changing encounter with the elusive rocker himself.

Jewel thieves, murder, and a manhunt swirl around a sailor off a cargo ship in post-war London.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

When the young, attractive Joe Orton meets the older, more introverted Kenneth Halliwell at drama school, he befriends the kindred spirit and they start an affair. As Orton becomes more comfortable with his sexuality and starts to find success with his writing, Halliwell becomes increasingly alienated and jealous, ultimately tapping into a dangerous rage.