Calvin Lenox's 'The Door at the End of the Hall' follows a young musician through a dream of his in which he hears a mysterious song that seems to be coming from behind a locked door at the end of a hallway. Things start to fall into place when a strange voice begins to speak to him from behind the door.

A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.

A young couple, Eva and Lia, find their move into a new home together disturbed when Eva develops an all-consuming obsession with opening a mysterious locked door in their kitchen - one which seems to be producing sinister sounds.

Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate young family arrives seeking refuge.

One night, a guy sees a face staring at him from his door. Scared, but intrigued, he decides to investigate.

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After moving into a new house, a young woman experiences a terrifying series of encounters with something evil. The whole nightmare is captured on her door camera.

A footage of a strange door.

Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.

The camera breathlessly traverses landscapes and whirls into abstraction, all the while eye-ing fanciful foreground objects of domestic life doing their own dizzy dervish choreography, until the hand of the artist reveals the true scale. Just out of camera view are Aaron’s hand-made rigs that guide the dynamic movement.

Objectively, Odette Toulemonde has nothing to be happy about, but is. Balthazar Balsan has everything to be happy about, but isn’t. Odette, awkwardly forty, with a delightful hairdresser son and a daughter bogged down in adolescence, spends her days behind the cosmetic’s counter in a department store and her nights sewing feathers on costumes for Parisian variety shows. She dreams of thanking Balthazar Balsan, her favorite author, to whom – she believes – she owes her optimism. The rich and charming Parisian writer then turns up in her life in an unexpected way.

A look at the relationship between Mike and Sulley during their days at Monsters University — when they weren't necessarily the best of friends.