This extremely brief film was Osamu Tezuka's answer to a challenge presented to the leaders of the international animation community to create animated self-portraits.

In 1860s Britain, a boy inventor finds himself caught in the middle of a deadly conflict over a revolutionary advance in steam power.

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The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Bearded contract employee goes on a "giant bouquet of flowers" planet and prefers friendship with the robot because all inhabitants are creepy psychos.

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

Based on the novel 'Evolution Man' by Roy Lewis, this tells the story about the first man - young Edward - to descend from apes. Edward is ejected by his tribe, but is very resourceful. He learns to walk, discovers fire, manages to hunt - and we follow him as he evolves. He has a generous nature, and search for true humanity - a world where we don't eat our fathers.

A factory worker in a dark, gray world assembles devices that promise happiness. In his spare time he tinkers to create something better, and finally succeeds in perfecting his invention, which allows people to see life through rose-colored glasses, but he has to pay a price for his success.

Coin is not about chasing wealth. It is about what happens when people are pushed so far down that they stop reaching altogether and only fight to keep what little remains. In a system where value circulates freely but dignity does not, innocence becomes the last uncontaminated force capable of interrupting the cycle.

Apple Gatherers follows two workers in an apple cider factory, the Peeler and the Shoveller. The film explores the loneliness and dissatisfaction of their labour-intensive world and the brief reprieve they find in moments of real human connection.

Cao Fei explores a virtual metropolis within the online platform Second Life. The work blends real and fictional elements of Chinese identity and urbanism to comment on capitalism and development in the aftermath of the global financial crisis. Marxist iconography intersects with modern corporate structures, creating a dystopian yet whimsical reflection on 21st-century economic realities.

One day, Kandume's can boy, who happily lived with his friends in the kitchen, becomes an empty can and is discarded. Eventually, he has a dream about the history of iron and humanity. He sees how iron that melted and flowed out during a forest fire, was discovered by humans once it cooled and solidified. This iron then transformed into knives and machines, leading to the development of civilization. When the can boy awakens, he is taken to a steelworks and reborn as a new steel material.