It tells the story of a son who is forced to bury his father alone because his father had a troubled past with the local villagers and suddenly, after the burial, his father returns home and invites him for a chat.

Siew Bong is, with respect, quite an average person. He’s unexceptional in anything and has not achieved much, which typically isn’t a problem until he has to meet his girlfriend’s ultra-rich, ultra-high-achieving family that believes in flawlessness as the highest form of human value, a value especially upheld and enforced by the tyrannical matriarch of the family, Antoinette. Things turn south over a family dinner when Siew Bong’s beliefs on a person’s value grinds against the family’s facade of perfectionism.

In a mist-shrouded swamp, Raaja, a quiet, introspective boy, captures a red Siamese fighting fish with his friend Gila, a curious chatterbox. What begins as a simple act of fascination turns into a haunting meditation on life and the bonds between living beings. Raaja learns from an old bird keeper, Pak Tok, that every living thing we hold becomes our responsibility, its life, its fate, its death. When Raaja’s care turns to obsession and the fish dies, he confronts the painful truth about love, loss, and letting go. Set against a haunting natural landscape, Sayap is a poetic tale of innocence, mortality, and the delicate balance between human hands and the wild soul of nature.

As Agnes opens up in a documentary about creating her latest EP, she unpacks the emotions she’s long buried, especially about her ex-boyfriend and former drummer, who’s about to get married. In making music alone, she finally learns how to move on by herself.

Beneath a dying tree, a man digs a grave, awaiting another arrival. When a silent figure appears, he assumes they've come to bury someone else. But as the truth unfolds, he realises the grave is his own. What follows is not a fight for survival, but a quiet confrontation between fate and free will, between beings that exist beyond human understanding. What begins as a simple encounter unfolds into something far more metaphysical: a conversation between two beings that exist beyond the realm of men. One bound by duty, the other corrupted by desire, both caught in a moment between life and eternity. Set in a desaturated rural landscape, Sakarat: Pohon Yang Sunyi reimagines the moment before death where silence, duty, and rebellion intertwine, blurring the boundaries between the mortal and the divine.

A game as old as time faded into the ashes of youth. Travel through this three-part memory as a young boy discovers the decay of his grandfather as they take part in an old game of Chinese chess. With every move he makes, he takes a step closer towards realising the extent of time. This film will explore themes of love, loss and what it really means to grow old in an optimistic way

There's a boy, having a silent conversation with the gods above, to make a decision.

While taking a walk, Chico Bento, a boor living in the backwoods of Brazil, tells his friend Zé Lelé and girlfriend Rosinha some fantastic stories happened to him: he'd been turned into a frog, been attacked by ants and by an animal resembling a jaguar, and some other doubtful cases.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A group of geologists are in a prospecting expedition. Their personalities are explored as well.

Careless detective Paul White and the careful Yuji Sato meet a beautiful girl who needs their help. Emma has a big secret of her own and the unsuspecting detectives get into a dangerous conspiracy of her making.

Gabrielle is writing an illustrated guide book on sex called 'How To Do It.' At a book signing she meets Saul, an established male writer who is straight. She both loves and hates his work which has seeped into her secular Jewish life from childhood. The more Gabrielle tells him about her book the more he wants to know about her life; the relationship with her younger girlfriend Olivia and her determination to "stop using my penis in sex". As her book takes form, is Saul jealous or desirous? Their friendship is tested as is Gabrielle's relationship with Olivia. The film muses on how we write, how we draw. And the nature of "story" and what it makes us do.