
Transsexual Cock Play
Overview
Hot cock sucking! Hard ass fuck! These T-girls know how to please!
Top Cast


Amanda Ferraz
Amanda Ferraz
(archive footage)
Amanda Ferraz
(archive footage)


Andre Garcia
Andre Garcia
(archive footage)
Andre Garcia
(archive footage)


Wanessa Bysmark
Wanessa Bysmark
(archive footage)
Wanessa Bysmark
(archive footage)


Carla Tavares
Carla Tavares
(archive footage)
Carla Tavares
(archive footage)


Hilda Brasil
Hilda Brasil
(archive footage)
Hilda Brasil
(archive footage)


Jonathan Kawa
Jonathan Kawa
(archive footage)
Jonathan Kawa
(archive footage)


Kawan Silveira
Kawan Silveira
(archive footage)
Kawan Silveira
(archive footage)
Luca Battaglia
Luca Battaglia
(archive footage)
Luca Battaglia
(archive footage)
Paula
Paula
(archive footage)
Paula
(archive footage)
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A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).

A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.

Kyotaro Ichikawa is a painfully awkward middle school boy deep in the throes of eighth-grader syndrome, spending his days obsessed reading morbid books like The Encyclopedia of Murder and anatomical diagrams. His quiet, isolated world is suddenly turned upside down when Anna Yamada, the classroom star, unexpectedly steps into his life. Whether she’s casually eating rice balls in the library, humming to herself, or suddenly closing the distance between them, Yamada’s unpredictable behavior leaves Ichikawa constantly off balance. And before he knows it, she is occupying his everyday thoughts. As they spend more time together, Yamada too begins to find herself drawn to Ichikawa in ways she never expected. It’s the first time either of them has truly understood what it means to “like” someone. Through misunderstandings and clumsy, heartfelt emotions, the distance between them slowly, but surely, begins to close.


















