The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

The head of the Kimberly household rules it with an iron fist. Unfortunately the head of the Kimberly household isn't Grant (J.H. Gilmore), the father and wealthy Wall Street magnate -- it's his spoiled, headstrong daughter Catherine (Virginia Pearson). She is so willful that she has earned the name "Impossible Catherine," and her whole focus in life is to prove women's superiority over the masculine gender.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Premiering on BBC as a part of their Sunday-Night Theatre program, this 1955 adaptation of Shakespeare's classic play closely follows the original text. The Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

In the court of Princess Turandot, suitors who fail to solve her riddles are brutally killed. But when a mysterious Prince answers correctly, suddenly he holds all the power – and a glorious secret. When life hangs in the balance, can love conquer all?

Recorded from the West End, Kiss Me Kate follows a pair of divorced actors brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

Legendary opera house, La Scala is more than just a stage— it’s a dream factory. And this year, over the course of four intensive months, 900 people will work relentlessly to incarnate Verdi’s opera masterpiece, ‘‘The Force of Destiny”. Under the masterful eyes of director Léo Muscato, we will follow set designer Federica Parolini, as her sketches evolve into towering architectural marvels crafted by dedicated artisans. In the costume workshop, Silvia Peroni and her team weave magic with fabric and thread through their expert hands. Then, a stellar international cast of virtuosos arrives in Milan, ready to fill La Scala’s hallowed halls with their soaring voices. But with the clock ticking, and expectations going through the roof, tensions unfold like an opera of its own. As Milan holds its breath for the legendary Prima on the 7th of December, the stakes couldn’t be higher. Will they be ready in time for curtain rise?

Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the kingdom of fairies have a slight quarrel about whether or not the boy Titania is raising will join Titania's band or Oberon's, so Oberon tries to get him from her by using some magic. But they're not alone in that forest. Lysander and Hermina have there a rendezvous, Helena and Demetrius are there, too as well as some actors, who are practicing a play for the ongoing wedding of Theseus and Hippolyta. Due to some misunderstandings by Puck, the whole thing becomes a little bit confused...

Young lovers living under an oppressive state-rule flee their home-city to change their lives, and end up changing the world. After all, love changes everything.

The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.

“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.

Dame Maggie Smith stars in the 1967 screen version of Franco Zeffirelli's exuberant National Theatre production of Shakespeare's romantic comedy, in which young lovers Hero and Claudio conspire to make sharp-tongued rivals Beatrice and Benedick fall in love with each other.