To be spectators of ourselves

Four actors rehearse the role of zombies. These women, who have blurred the acts of acting and life, are creating documentary theater on the theme of the "nation and the individual," peeling away their consciousness. They include in their work the real world in which it is set, their identities as female actors and working people, debates about their labor being exploited, and even them acting out their daily lives—all at the same time that the director is making a film with them. How are the play and the film realized at the end?