The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

When You Come Home was Randle’s seventh feature film, and sees him recount his life as a music hall odd job man to his grandaughter.

Dressed in a long raincoat, Eve follows the handyman around as he makes his appointed rounds. She witnesses humorous run-ins on his various errands. But why is she watching him so carefully?

A young handyman and his wife move to a small village and set up business. There, the handyman encounters numerous strange characters, including a local constable more inept than a squad car full of Keystone Kops; an elderly magistrate whose primary passion is spanking young women; a schoolmistress with a closetful of kinks; and more predatory housewives than the young man can handle.

In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer arrive to dispossess the family of its home.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

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When Madea catches teenage Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of her married boyfriend, April wants nothing to do with the kids.

Three tales of very different women using their sexuality as a means to getting what they want.

A psychopath on the run takes a job as a handyman at the house of a lonely widow.

The all-girl school foil an attempt by train robbers to recover £2.5 million hidden in their school.

Discover STRoNG, as strong as they are fragile, a new documentary which takes a modest look at mental health and depression in high-level sport through the testimonies of surfer Jérémy Florès, swimmer Camille Lacourt, skier Perrine Laffont, handball player Valentin Porte and fencer Ysaora Thibus.