Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

Aoi has dropped out of high school and gives birth to a baby son with her husband Masaya. They live in Okinawa, the Southern island of Japan where they were both born. To make ends meet, she starts working as a night-club hostess. Masaya loses his job and cannot deal with the family’s responsibilities. Their immaturity and dependence aggravate the relationship and continuous fights lead to a social downfall. Aoi’s bond with her son sets her on a path to find solutions.

Abandoned after coming out, Shun befriends Mio just before he has to move. Years later, Mio returns with a confession. How will Shun feel?

Tomboy Yui (Mao Inoue) brings her 3 male friends along with her to see a live performance of local Okinawan rap group, “Workaholic”. Upon witnessing the crowd reaction, the boys decide to start a rap group of their own to impress chicks—while Toru (Hayato Ichihara) has the added motivation of impressing his older, more sophisticated love interest Nagisa (Ayumi Ito). With only 2 weeks to learn how to play instruments and prepare for their first show, the performance is predictably humiliating. In order to save pride they decide to give it another shot, but this time they ditch the instruments for a sampler and stay truer to themselves. Will Toru be able to capture Nagisa’s heart? Will Yui ever confess her love to Toru or will she just keep practicing her advanced pro wrestling techniques on him instead?

Breathe In, Breathe Out centers on six, later seven, individuals who have gotten jobs harvesting sugarcane on a small Okinawa island. Each worker has their own unique personality as well as their own issues as they learn to work together...

A magical realist story of the legendary Okinawan hero Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.

Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.

With the background of the Battle of Okinawa, he draws a semi-documentary image of each individual person under an unusual psychological state of war. Furukawa Takumi of “Backlight” is adapted and directed by Daiichi Ishino. Filmed by Yoshio Mamiya, “Smuggling of the body”. The main performers are Sachiko Sakai since the “Zoi Family”, Hiroyuki Nagato of the “Next door bride”, Shoji Yasui of the “Sentimental wife”, Takatoko of “Crying, the last Japanese fighter”, “Blue angry” Noriko Katsura, Shinzo three of "actress (1956)", Masao Oda, Nobuo Kaneko, Toru Abe, Hiroshi Nihonyanagi, Misako Tsubouchi.

Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.

A group of teenagers grow up in Okinawa amid the protests and resistance against the presence of the American base in the island.

An Okinawan woman kidnaps the teenage son of a U.S. Marine convicted of raping her when she was a girl.

After an American helicopter crashes into a classroom in Okinawa International University, student Ryuichi is compelled to write a report on a similar accident 52 years ago, in 1959, when an American jet fighter crashed into his grandfather's elementary school. He also plans to hold a peace concert.