Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colourful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.

In a time when dinosaurs rule the Earth, the smallest dinosaur of the herd, a playful Pachyrhinosaurus named Patchi, embarks on the biggest adventure of his life. As he tries to find his place in a spectacular world filled with fun-loving friends and a few dangerous foes, Patchi will discover the courage he needs to become the leader of the herd and a hero for the ages.

A grumpy Welshman reluctantly visits his grandmother, only to discover she has only gone and got herself cursed! So now he needs to bloody save her (and the world) from a demon duck...before midnight.

A horse struggles to exist.

Another ordinary day in the digital circus...

When Bill struggles with artist’s block, a figure from his past emerges - leading him on a journey to embrace his true self.

Early (1970s through 1980) demo reel from MAGI/Synthavision, who would later go on to provide many of the CGI effects for the feature film Tron. Mostly television advertising and effects in the early years

This promotional tape for ReBoot was created in 1990 by The Hub (Ian Pearson, Gavin Blair, Phil Mitchell) and Limelight, the production company trying to get ReBoot off the ground. The Bob animation tests were created on Alias computer systems. The Megabyte/Hacker segment is from an even earlier animation test created on the same FGS system used to create Money For Nothing. This footage was transferred from D1 video tape (originally recorded from VHS) and restored by the ReBoot ReWind crew: Jacob Weldon, Raquel Lin, Mark Westhaver & Bryan Baker.

No description available.

After losing his best friend and climbing partner to unexpected and unfortunate circumstances, an overconfident climber chooses to proceed solo on a historic and potentially fatal rock climb.

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A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded