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Documentary · History
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Clara Maia
Clara Maia
Narradora
Clara Maia
Narradora
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Investigative journalists working for Disclose spent over a year investigating the production chain of the furniture giant which generated a 44.6 billion euros revenue in 2022 and attracts over 5 billion visitors to its stores and website every year. From the boreal forests of Sweden to Brazilian plantations and New Zealand coastlines, they uncovered how IKEA intensively exploits wood around the world, fuels the illegal trafficking of this resource and threatens the last precious European forests. Long overlooked, intensive logging is now sparking outrage and anger among citizens in Poland and the Baltic countries, who are increasingly concerned about the fate of their countries' public forest domains and biodiversity loss. In Romania, where IKEA owns 50,000 hectares of forests, activists are risking their lives mobilizing against the timber mafia. This film tells the expansion of a discreet forest predator, grappling with the limits of the planet's resources.
“Tucaneira: Wooden Hands” is a captivating mini-documentary that takes us on a fascinating journey through the world of a skilled artisan who works with wood at an eco-solidarity fair held in a university environment. In this brief and inspiring portrait, we explore the life and craft of Manoel, a master craftsman whose hands transform tree trunks into true works of art. Through beautiful images, testimonials and captivating photographs, the documentary reveals Manoel's passion for his art. He shares his inspirations and motivations, highlighting how his work is deeply rooted in sustainability and respect for nature. “Tucaneira: Wooden Hands” is a mini-documentary that not only celebrates the talent and dedication of an exceptional artisan, but also reminds us of the importance of supporting initiatives and fairs that promote eco-solidarity, art and sustainability in a vibrant and inspiring university .
This is a documentary linking ecological and political problems. The planet has come to be less important than the multinational earnings, and with it politicians earnings as well. With this project we bring foreward this problem, witch not only affects the third world, but is a worldwide situation witch needs to be adressed.
When the search for its origin takes him to the deep pampa, the documentary director discovers a recently recognized biome, little known and that presents more than half of its native area destroyed. So, its goal becomes to present the biome and its inhabitants, in a mosaic between the original peoples, quilombola communities, family cattle ranchers, agrarian reform settlers and rural entrepreneurs, awakening an awareness of belonging, with the objective of strengthening the preservation of the Pampa biome.