In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

Follow 20-year-old Lily Hevesh — the world’s greatest domino toppler and the only woman in her field — in a coming-of-age story of artistry, passion, and unlikely triumph.

Seven Asian-Americans discuss their experiences with racism and the spike in Asian-directed hate crimes as a result of COVID-19.

A 38 minute documentary that investigates why antisemitism exploded in Bay Area High Schools after Hamas attacked Israel on October 7. This comes after years of anti-Asian hate and anti-white hate.

Two Canadian women of Asian descent are contemplating eyelid surgery. Maria and Sharon, of Philippino and Korean heritage respectively, believe their looks–specifically their eyes–get in the way of how people see them. Layering their stories with pop culture references to beauty icons and supermodels, filmmaker Ann Shin looks at the pain that lies deep behind the desire for plastic surgery.

Documentary which exposes the truth of how 'human guinea pigs' were used in government-funded radiation experiments without their knowledge or consent. It uncovers a series of breaches of ethical codes as scientists pursued military, scientific or medical knowledge. Includes archive footage.

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Three family cope with having lost their only child in 2008 deadly Chinese earthquake.

A report on the demographic impact of China’s one-child policy.

Amy is a young Chinese-American girl working at her local grocery store during the height of the pandemic. Amy must confront growing racism towards Asian-Americans, while at home, she must mitigate her mother’s expectations and personal bias towards African-Americans. After a brutal assault, Amy and her family must reevaluate their perceptions, and Amy must come to terms with who she really is and what she really wants.

A farmer and his wife live in a rural part of Inner Mongolia with their three children. Chinese population control policies prevent them from having any more. The farmer sets out for the nearest town to obtain birth control. He comes upon a Russian truck driver who has ended up in a lake. The farmer takes the man back to his farm, and after initially being appalled, the Russian becomes enchanted with the peaceful life of the countryside and decides to stay. But his presence presages big changes for the peasants.