
黄霄雲打开广州演唱会
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Xiaoyun Huang
Xiaoyun Huang
Xiaoyun Huang
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Violinist Lucia Micarelli performs an eclectic set that features the traditional "Ladies Fancy," Steve Earle-penned "This City," jazz classic "Will O' the Wisp" and standards "Someone to Watch Over Me" and "Nature Boy," as well as classical pieces from Maurice Ravel, John Corigliano and Jean Sibelius. Also: a behind-the-scenes look at Micarelli's 2009 near career-ending accident and subsequent recovery. Michael Keaton hosts.

During the summer of 2010, Vanessa Paradis performed a series of 20 acoustic concerts in France: a real event! For the first time, her greatest hits, from "Joe le taxi" to "Divine Idylle," were revisited with eight acoustic musicians, including a string quartet. Vanessa Paradis and Barclay decided to record and film one of the two concerts given at the Royal Opera House of the Palace of Versailles on July 11 and 12.

Argentinian cellist Sol Gabetta made her Philharmoniker debut at the 2014 Easter Festival in Baden-Baden with Edward Elgar’s Cello Concerto, the final great work of the composer. The orchestra and conductor also performed the prelude to Wagner’s Lohengrin, György Ligeti’s orchestral piece Atmosphères and Igor Stravinsky’s Le Sacre du Printemps, a work which is entirely focused on the future and pushes the boundaries of classical music in terms of sound, rhythm and energy.

A documentary on underground and experimental rock acts performing at Les Instants Chavirés, a music venue in Montreuil, France. Performers include Thierry Madiot, Peter Brötzmann + Han Bennink, The Ex + Tom Cora, Roof, Hint + Quentin Rollet, Kampec Dolores, Prolapse, King Biscuit, Zeni Geva, Melt Banana, Purr, Badgewearer, Heliogabale + Didier Petit, Keiji Haino, Oxbow, US Maple, New Bad Things, Tiger Lillies, Marc Ribot, KK Null, Api Uiz, Labradford, Godspeed You Black Emperor, De Kift, Sophie Agnel & Roro Perrot.

From 1988 to 1994, near Père Lachaise cemetery on the eastern side of Paris, the Etablissements phonographiques de l’Est (Eastern Phonographic Venue), aka EPE, was a multidisciplinary venue hosting the crême de la crême of the international experimental, radical, industrial, noise, avant-punk scene. A record shop during the day, an underground venue at night hosting in its basement gigs, performances, screenings of video art and experimental cinema, readings, bondage workshops, fanzine exhibitions. At the junction of late 80’s and early 90’s, EPE saw the end of industrial music and the birth of the still highly influential avant-punk scene.













