Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality?

Jasmine Curtis-Smith, Diego Loyzaga and Jerome Ponce star in this love story about a woman’s pursuit for comfort in virtual dating to make up for the lack of romance from her real-life partner. But what was meant to be make-believe may turn out to be a genuine connection.

AVATARA is not a cartoon. It's a documentary about an Internet subculture who spend their lives immersed in an online 3-D voice-chat program called "Digitalspace Traveler." Through a series of 14 interviews, we uncover the history, art, identities, struggles and emotions of this unique internet community who, since as far back as 1996 have mostly devoted their lives to this software.

A virtual visit aboard the International Space Station, making the dreams of millions of people around the world come true.

Vanessa has always had trouble in the dating world, never mind now being confined to her home. She soon discovers just how much you can get away with dating via webcam, but is the love she feels true or only a distorted version of reality?

An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.

From Executive Producer Sheila Houlahan, 'Night, Mother' is a hybrid Twitch film that interweaves pre-filmed segments with live-streamed performance. Reset amidst the COVID-19 pandemic, this new adaptation of the Pulitzer Prize-winning play explores the concentric circles of isolation, grief, and suicide. During a Zoom call, Jessie (Sheila Houlahan) confesses to her mother Thelma (Ellen McLain) that she plans to commit suicide within the hour. 'Night, Mother' portrays a poignant and haunting picture of the current state of mental health care in America.

Two Strangers become stuck waiting for the bus.

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All I Ever Wanted follows a character moving through fragments of digital life—messages, recordings, mediated experiences—in search of someone who feels both intensely real and just out of reach. As the pursuit deepens, language begins to slip into something mercurial. What begins as a search gradually unfolds into a world of warped digital dreams and material fictions, where what is real becomes a negated question.

This is a 50-minute, independently produced film that consists of 45 one-minute instances, each overflowing into the next in a gushing expression of creativity. Despite deliberately avoiding any explicit structure or object of reference, the film speaks for itself, leading the viewer through an unhinged and chaotic sequence that, despite its absurdity, feel completely relatable. It is a rendering of collective anxiety akin to Bosch’s The Garden of Earthly Delights, seeming to present a caricature of our fears out of real footage — to say you feel “as if a Lion is trying to break in your front door” might sound like an idyllic metaphor for your anxiety, but when the metaphor is made out of real footage, the absurdity appears to collapse into a kind of deranged realism. All your most irrational anxieties could well be real; the lion is really at the door.