
Losing Touch
Documentary · Animation
Overview
Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.
No cast information.
Similar Movies

Martín, a young urban raver, is involved in a strange accident on the road on his way to a party in the middle of the Argentine Pampas. Finding refuge in a mysterious country grocery store and sheltered by two strange locals, Martín's paranoia begins to take over him. As the hours progress, his perception begins to distort, unleashing disturbing visions that will lead him to confront the supernatural forces that hide in the night.

Zhi, a rookie race car driver, gets the opportunity to compete against the reigning champion of the rally car circuit. With help from a former driver-turned-mechanic, Zhi must overcome treacherous terrain, rival racers, and unexpected obstacles to prove he has what it takes to be the next great racer.

Part of the animated anthology series 'Festival of Family Classics' by Rankin/Bass Productions, this adaptation follows a blonde, pig-tailed Alice as she visits the bewildering world of Wonderland. Alice encounters a host of characters including the blue Caterpillar, Mad Hatter, March Hare, Cheshire Cat, the Dormouse, who looks and sounds like a punch-drunk fighter, and the Red Queen, who uses a flamingo for a croquet mallet.

Moonchild is one of Fulton’s very earliest ethnographic projects. Filming in East Africa while on another production, he shoots with single frame bursts from his Bolex camera with an Angenieux 5.9 lens. He could shoot inconspicuously from the hip, an approach he learned from his father, filmmaker Robert Fulton Jr. In Moonchild, he shares his first impressions of Africa.

Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.

Presenting the extended directors cut from Filmmaker James Fox (Out of the Blue and I Know What I Saw). On April 20th, 2010, the BP Deep Water Horizon floating oil rig drilling in the Gulf of Mexico exploded, killing eleven crewmen. This film exposes the behind the scenes cover up to hide the worst environmental disaster of all time from the world and the people who live in the region.














