In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

A short documentary about Arthur Penn.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

No description available.

Thirty four years after his father, Nico Rosberg, followed in Keke's footsteps to become Formula 1 World Champion, creating only the second father-son pairing to win the title alongside Graham and Damon Hill. It was a fight that swung back and forth between the two main protagonists. Nico kicked off the season with four consecutive wins while Lewis was slow off the mark thanks to bad starts and poor reliability. Team relations were pushed to the limit as the drivers' rivalry stepped up a gear. With clashes both on and off track, their ruthless pursuit of the title left their relationship in tatters. The drama went down to the final round in Abu Dhabi. Lewis had nothing to lose while Nico had to keep his cool.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Upcoming documentary by Big Daddy Kane.

Hit the road with Creative Differences and go behind the scenes of their first tour.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.

No description available.