Max Devereaux and Suko Pyramid documentary about the making of their first three albums together as a duo and the story of their inspiring, international collaboration. Produced entirely remotely, featuring never-before-seen photos, videos and audio as well as interviews with close collaborators from all over the world.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

Opening with the first day of rehearsals of the London production of "Sweeney Todd", this ninety-minute documentary focuses on the rehearsal process with the musical's director, composer and actors.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.

"The End of Bolsonaro" follows the historic trial at the Supreme Federal Court (STF) that led to the conviction of Jair Bolsonaro for attempted coup d'état, portraying the end of an authoritarian era and the victory of Brazilian democracy.

He was born different, and chose to become unique. Becoming Lucky Love follows how Luc Bruyère turned his “flaw” into strength and his life into an act of creation. Born without his left arm, he faced the violence of people’s gaze from childhood, sinking into shame and self-destruction. “I was born homosexual, without a left arm — I didn’t fit what a man was expected to be: a figure without nuance, categorical,” Luc confides. Instead of giving up, he chose to transform himself and become what he had always dreamed of: a singer and performer. With his angelic face and magnetic presence, nothing seems to resist him — yet his blazing loves and excesses marked him deeply. Now, on the verge of turning 30, he looks back without filters. Becoming Lucky Love paints the portrait of an avant-garde, captivating outsider who proves that destiny can be endlessly reinvented through strength, poetry, and self-invention.

Blue for a Moment is a documentary portrait of Swedish-born, Berlin-based musician Sven-Åke Johansson, a key figure in European improvised and experimental music. Active as a jazz drummer, composer, poet and visual artist, Johansson has spent decades challenging artistic conventions and genre boundaries. Born in 1943, he moved to Berlin in the late 1960s and became involved in the city’s experimental scene, including the Zodiak Free Arts Lab. During the 1970s and 1980s he played an important role in the West Berlin free jazz movement around the FMP/SÅJ label, collaborating with musicians such as Alexander von Schlippenbach and Rüdiger Carl. Influenced by Fluxus and modernist traditions, Johansson developed a distinctive approach based on noise, reduction and the use of everyday materials, anticipating the Echtzeitmusik scene that emerged in Berlin after 1990. The film explores his creative process, artistic philosophy and lasting impact on contemporary experimental music.

Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.