A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.

The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".

Three images of a person running in the void through the movement of speed and abstract images

An expedition to climb British Columbia's highest mountain goes awry in the face of bad weather, a series of comic mishaps and the stubborn insistence of its leader on using antique climbing equipment.

To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.

This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.

For one-night-only blood was spilled in the mud.

No description available.

A mother wants to tell her daughter her opinion via video, but because she is untrained in using the new technology, she returns to the familiar letter form.