Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.

Follows five young star students on their journey to win one of the world’s most prestigious competitions for student entrepreneurs.

A documentary portrait of Tiit Pääsuke, the most prominent painter in contemporary Estonia. Artist per excellence, creator of the imaginary picture-landscapes, a charming person, adorer of the woman’s beauty, gentleman and a colonel in local whisky club - Tallinn Uisge Beatha Club. “When painting, I compose the details of my pictures, my human models not as traditional painter, but more like film or theatre director works with actors, my compositions are as performances, theatrical happenings”. - Tiit Pääsuke

In 1931 the rains stopped and the "black blizzards" began. Powerful dust storms carrying millions of tons of stinging, blinding black dirt swept across the Southern Plains — the panhandles of Texas and Oklahoma, western Kansas, and the eastern portions of Colorado and New Mexico. Topsoil that had taken a thousand years per inch to build suddenly blew away in only minutes. One journalist traveling through the devastated region dubbed it the "Dust Bowl." This American Experience film presents the remarkable story of the determined people who clung to their homes and way of life, enduring drought, dust, disease — even death — for nearly a decade. Less well-known than those who sought refuge in California, typified by the Joad family in John Steinbeck's "The Grapes of Wrath," the Dust Bowlers who stayed overcame an almost unbelievable series of calamities and disasters.

Narrated by Academy Award winners Sissy Spacek and Herbie Hancock, River of Gold is the disturbing account of a clandestine journey into Peru's Amazon rainforest to uncover the savage unraveling of pristine jungle. What will be the fate of this critical region of priceless biodiversity as these extraordinarily beautiful forests are turned into a hellish wasteland?

The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.

A look at the work of volunteer firemen fighting bushfires in the Blue Mountains at the height of the fire season in 1980.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

In this documentary Coutinho examines the plight of the people who live off the waste of the Brazilian cities. These people make their living by scavenging the immense urban garbage dumps searching for whatever they can find to sell as well as whatever they can find to eat.