Set in Bogotá in 1996. In the darkness caused by power outages, the townspeople are terrified of the arrival of the antichrist. Thirteen-year-old Ana is deeply tormented by this rumor that secretly invades her daily life, by the existential crises of her school’s priest or by the animistic superstitions of the maiden.

Fresh out of a psychiatric hospital, Pia moves back in with her parents to get her life together. Torn between a new job, lovesickness, psychotropic drugs and social stigmatization, she emerges into a world where everything seems out of control.

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.

Simon is an intelligent and privileged young man whose family expects him to become a Princeton graduate. Crying out for attention from his reserved and cool hearted family, Simon commits numerous petty crimes and is soon sent away to boarding school where he befriends a "Deadhead," adopts the "hippie" lifestyle and dabbles in many drugs in his search for acceptance.

Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be a treasure chest has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding? 'Of All The Things' is a narrative short inspired by lived experience with the aim of developing a compassionate dialogue around hoarding. This is a story about connection, not just a condition. The film was made with the support of the hoarding community to ensure authenticity, it is designed to visualise the unseen emotional impact hoarding behaviours can have on the relationship between family members. Produced by Kino Bino with funding from the BFI NETWORK and crowdfunding.

Matilde travels to her family’s village due to her great-grandmother’s passing. After the funeral, she reconnects with the place where she spent her childhood, learning about the experiences that she and her mother have shared in the same house.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

On the final night of summer, Annie is confronted by a relentless stalker—the embodiment of her deepest childhood fears. When her friends dismiss her concerns, Annie must contend with her anxieties and the unsettling truth.

The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.

A top Hollywood talent agent finds his cushy existence threatened when he discovers that his wife is cheating on him and that his journal has been swiped by a reporter out to bring him down.

Susan, kidnapped and trapped in a room, lives in a cycle of apathy and emptiness. In a catatonic state, she repeats her days slowly, moving disjointedly, as if she were no longer part of herself.

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.