A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

The Dance is a 1962 French comedy film directed by Norbert Carbonnaux and starring Jean-Pierre Cassel, Françoise Dorléac and Arletty. The film is based on the French comic strip 13 rue de l'Espoir.

A couple hire a detective to locate their missing daughter. He finds her in a "house of ill-repute."

A 16-year-old aspiring photographer pursues a beautiful "older woman" of 22, a down-on-her-luck rock singer.

One cold winter's day, Jacob and his sister Marie are abandoned in a wood by their out of work father. In his jacket Jacob finds a letter from their mother urging them to go to her brother in Spain. Once in Spain, it turns out that their uncle is dead. Marie meets Diego, a wealthy charming Spanish surgeon, and falls in love with him. Diego lives with his sick, domineering sister, Teresa. To Jacob's astonishment, Marie wants to marry Diego. Even after the wedding has taken place, jealous Jacob tries to get his sister away from Diego. When this doesn't succeed, Jacob starts to provoke his brother-in-law. It soon transpires that no one will go unpunished for this.

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

Bettie Page was the top pin-up queen of the 50s and developed a cult following in the 80s. She is known for her distinctive hair style and is reputed to be the most photographed pin-up model of all time. This compilation shows Bettie's playful side, featuring her scenes from the full-length burlesque films Striporama (1953), Varietease (1954) and Teaserama (1955) and a dozen complete short films from the 50s including Tantalizing Betty Dances Again, Tambourine Dance, Joyful Dance by Betty, Betty's Hat Dance, Dream Dance by Betty, Dance of Passion, Betty's Clown Dance Part 2, Betty's Lingerie Tease Dance, Betty's Second G-String Dance, Betty's Fireplace Dance, and Pin-Up Beauties Fight (with June King).

In a field dominated by men, five pioneering camerawomen Mary Rogers, Cynde Strand, Jane Evans, Maria Fleet and Margaret Moth went to the frontlines of wars, revolutions and disasters to bring us the truth. As colorful as accomplished, these brave photojournalists made their mark by capturing some of the most iconic images from Tiananmen Square, to conflicts in Sarajevo, Iraq, Somalia and the Arab Spring uprising. But the world doesn’t know it was these women behind the camera. In the midst of unfolding chaos, the pictures they took for CNN both shocked and informed the world. This feature documentary by director Heather O’Neill tells their remarkable story.

"Nocturnes at the Golden Gate" - invites us to discover the world and work of Irina Ionesco, a unique figure of contemporary photography. Since the early 70's, she photographer has been working in her apartment near the Porte Dorée, in Paris, principally with the female body. Scraps from the past and elements of the present come together to evoke the coherence and multiple meanings of Irina's baroque universe : the solitude of her Romanian childhood ; her youthful debut in the music hall ; her relationships with her models and her way of building images. Little by little, her work is illuminated and takes on different vibrations, though we have never left the apartment : her workspace, temple and museum.

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