Nick is a successful young man whose comfortable West Coast life couldn't be better. However, when his girlfriend falls under the influence of lecherous music producer Lenny Swackhammer, Nick impulsively decides to travel to Toronto to intervene. Nick's buddies Tyler and Dime opt to turn the quest into a cross-country road trip that's complete with wacky antics and encounters with beautiful women.

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

In a post-apocalyptic world, women warriors battle each other from junkyards to gravel pits as they determine the fate of the entire world.

Two girls on the run get lost in the French countryside, and wind up in a haunted chateau occupied by an ailing vampire and his servants.

L’Étreinte (1969) is a sharp, provocative Franco-Belgian psychological drama that masterfully subverts power dynamics through an erotic lens. Heavily inspired by The Story of O, the film tracks Gisèle, an innocent runaway who becomes a housemaid—and subsequent sex slave—to Michel, a wealthy playboy. What begins as a classic tale of bourgeois exploitation takes a radical turn when a visiting friend awakens Gisèle to her own alienation. In a striking third-act shift, the film flips the master-servant dynamic, leaving the oppressor completely subjugated by his former victim..

An English historian travels to Morocco to work on a study of the painter Delacroix. He hears of a rare series of engravings and embarks on a search for them that takes him through the mysterious streets of the ancient medina. He becomes obsessed with the figure of a beautiful blond woman dressed in white that he sees there. but it appears that she may have died years before.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

After having a close call performing self-bondage, Jan Collins, a wealthy divorced woman, goes to a discreet wish fulfillment service. After agreeing to their terms of service, she's blindfolded, taken to a warehouse, and chained up to become the submissive slave of a blonde dominatrix. Her new mistress might have more evil plans in her mind for her though.

Before she can testify in court, Susan is kidnapped and tortured by an evil couple her testimony would incriminate.

A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.

In a small town in post-WWII France, 16-year-old Janine tries to improve her conditions by any means necessary. Three people—Michel, a married lover; Raoul, a fellow thief; Mauricette, a photographer she meets in prison—will help her learn from her mistakes.