Three people reckon with the legacy and impact of a tragic historical site with roots in their city. Meanwhile, a medium from out of town visits the site to see what she can learn from the energy of the land.

On the edge of the idyllic Lake Windemere, Richard runs a café. After a long past in the forces, he has had a dramatic shift in lifestyle, and has had to adjust to an immensely different environment. Shot in Ambleside in 2022, Good Living is an exploration of new paths and opportunities.

Crossing the vast outskirts of the big city we can glimpse that after the great future catastrophes there will still be room for the promise of a new youth, perhaps the last one.

Alvina visits her late Grandfather’s House, on the 5th anniversary of his demise. She and her grandmother bond over their memories and affection towards him. As they spend slow afternoons together, talking about him, his patriarchal tendencies begin to surface. Alvina speaks to her father, and a childhood of fear and tyranny surfaces in her father’s recollections. Her grandmother’s experiences as a woman and a wife are colored by the same tyranny. These well kept secrets only had the tree outside the balcony and the walls of the house as witness, and their burden brings the house to life, and makes the tree restless.

Lorraine Carter lives a quiet, contemptuous life in the mundane suburbs of Lincoln. She is restless, discontented and dreams of what once was and what could have been. Having once lived on the road, gigging as the lead singer in a punk band, Lorraine was a real rock star, or came close to being one. With the band's burgeoning dreams being cut short, and life sweeping her forward, Lorraine's life as a proud punk-rocker seemed over. Swapping punk for a nine-to-five, and the microphone for motherhood, Lorraine watched from the margins as her life sped by. Beaten, forgotten, and belittled by the world around her, Lorraine grows tempestuous. She yearns to reclaim her creative identity, to express herself and to fight for what she believes in. She prepares to come to terms with her past, to overcome her fears, and to take the stage once again. With a microphone in hand, she sings a simple phrase. Keep the faith, it’s all we’ve got.

Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.

When ghost hunters Sam and Colby bring twenty of their friends and fellow YouTubers together for their largest paranormal investigation of all time, what begins as a lighthearted adventure slowly morphs into a sinister series of events that lead them to a demonically possessed church.

Love in the Gaze of a Panopticon

On September 22, 1998, the Iranian poet Hamid Hajizadeh and his nine-year-old son Karun, whose name symbolically refers to Iran's longest river, were brutally murdered in their home in Kerman. The documentary film, based on the statements of the survivors, tries to sensitively reconstruct one of the many terrible motivated events that took place in Iran at the end of the previous century and draws us into the fateful day with the help of detailed shots of the objects in Hamid's study.

In the world's only deaf-mute village where silence reigns, tension mounts as Misra Khatoon approaches childbirth. The villagers surround her home and beat drums seeking a response from the newborn.

Through the eyes of director Emma Becker, “F*ck It, We Fall” delves into the beauty, oddities, and awkwardness that comes with the fall season..

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.