Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

Elliot Richards, a socially awkward IT worker, is given seven wishes to get the girl of his dreams when he meets a very seductive Satan. The catch: his soul. Some of his wishes include being a 7 foot basketball star, a wealthy, powerful man, and a sensitive caring guy. But, as could be expected, the Devil puts her own little twist on each of his fantasies.

As a result of mysterious circumstances, seventeen-year-old Olga from 2005 finds herself in 2024 in the body of herself, but already a thirty-six-year-old single mother. Having no experience of adult life, Olga behaves like a frivolous girl from the noughties, and dreams of returning to a carefree youth. But by the will of fate, she is forced to take responsibility for her high school son and play the role of a school principal, which she is completely unprepared for.

A comedy drawing on classical antiquity. In the play, the author mocks stupidity and arrogance, and also metes out just retribution.

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Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.

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Shurik, like Forrest Gump, will tell the amazing story of his love, traveling through legendary Soviet films and modern memes. He will be helped by Chebubu, a new character, "from childhood, but from 2025" and the king of pop music, Filippino-Kirkorino.

Three sisters take their small inheritance and move from Kansas to California in search of rich husbands. To start with, Pamela poses as a socialite and Moira and Elizabeth pretend to be her staff.

This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.

When an Italian man comes out of the closet, it affects both his life and his crazy family.