Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.

Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.

The day after Yasunari Kawabata won the Nobel Prize in Literature, a talk was held at Kawabata's residence in Kamakura. Yukio Mishima, who admires Kawabata, and Sei Ito, a literary critic, celebrate the first honor of the Japanese people, and this is a valuable opportunity for the three to meet and talk.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

The Apple Family finds themselves together again for the first time since Election Night, 2010. Marian, reeling from a personal tragedy, now lives with her sister Barbara; sister Jane is back with her boyfriend Tim; their brother Richard has come up from Manhattan; and Uncle Benjamin prepares for his first dramatic performance in years. Over Sunday brunch on the 10th anniversary of 9/11, the Apples find themselves talking about loss, memory, remembrance, and the meaning of compensation.

A year after Sweet and Sad, the Apple Family again share a meal in Rhinebeck, NY, as they sort through personal and political feelings of loss and confusion on the morning of the day the country will choose the next president. Like the first two plays in this trilogy, Sweet and Sad and That Hopey Changey Thing, Sorry opens on the day that it is set, November 6, 2012: Election Day.

In the midst of our unsettled world, the Apple Family, last seen in 2014, return, though not over the dinner table, but via Zoom. This hour-long play picks up with them during their now suspended and quarantined lives. They talk about grocery shopping, friends lost, new ventures on a hoped-for horizon—all at a time when human conversation (and theater) may be more needed than ever before.

The fourth and final play in this captivating series, Regular Singing, opened on November 22, 2013 – the 50th Anniversary of JFK's assassination that shocked the world.

Set on election day, November 2, 2010. Uncle Benjamin’s dog has died, and his nieces and nephew have gathered for dinner in Rhinebeck, New York, to surprise him with a new one. While the polls close, the Apple Family discusses memory, manners, and politics.

Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.

The final installment of "The Apple Family: Life on Zoom" trilogy, featuring Lucy Michael of "The Michaels."

One of over thirty police training films produced by Murray Woroner, "Patrolman You Have a Problem" was released by Motorola Teleprogram Center.Created in conjunction with the Miami Dade Police Department (and others), each film in the series examines an aspect of police conduct and training. In this specific film, the viewer is shown scenarios in which rookie cops are exposed to the cynical attitudes and reckless actions of seasoned veterans. Here, the words and actions of the sergeants and other senior police officers appear contradictory to the code of conduct and what was taught to the trainees in the police academy. The goal of the film is to create a discussion about "doing the right thing" and, of course, to reinforce the code of conduct. The film was produced by Woroner Films, inc and scripts and research were carried out by Frank Augustine, Sam Harris, Miami Dade Community College, and Bal Harbour Police Department of Florida.