
Deep Throat Slave Volunteer: A female office worker who returned from overseas and does odd jobs is an excellent oral urinal
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Tia
Tia
Tia
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Yoko is an office worker at a small transport company. The driver, Shuji, has feelings for her, but Yoko has no desire to fall in love with a man. Yoko pretends to be plain at work, but at night she sometimes puts on makeup and goes to hotels with men. However, she only sleeps with each man once. It was just an act to satisfy her lust. Then she receives a strange phone call, and finds out that someone is always watching her. Who could it be?

Junko was born with a type of ESP called pyrokinesis which she can use to incinerate anyone and anything at will. Junko is secretly in love with Kazuki, a young man who works with her. His sister is killed and a boy named Masaki suspected but the police don't arrest him. Junko tells Kazuki about her powers and takes revenge.

In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel: "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.

May a recently recruited office worker finds she cannot fund her expensive lifestyle with her dismal paycheck. She later discovers her female work colleagues are playing strip poker or having sex with the management team. May soon learns she may have to indulge in carnal desires to make it in the Central district (the premier commercial district in Hong Kong).

On a gloomy Monday morning, my week begins. Although I (Bakarhythm) am sleepy, I put on my make-up and I leave home for work at a bank. I take the subway filled with passengers and get off on the nearest subway station from work. I meet Maki Fujikawa (Kaho) at that subway station. She is my closest colleague at work. While talking with each other, we get to our workplace.












