Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928. His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less than a decade. Nowadays, Fordlandia is a space suspended between times, between the 20th and 21st centuries, between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass, and masonry still remain in use while traces of indigenous life left no marks on the ground.

A multiscreen installation, a colorful beach bar, the statue of Saint Christopher - a postcolonial look at the edge of the harbor in Flensburg and the question of what is made visible and what is not.

The portrait of Eldridge Cleaver, the "Minister of Information" for the Black Panthers movement, in exile in Algiers.

After numerous military operations, Major Müller can't find a way back into civilian life. Following his urge to communicate, the Major is looking for listeners and encouragement. He doesn't find either. Instead, the repeated monological memory of his own heroic deeds determines his present – with all the consequences. This 30-minute short film is based on the statements made by the mercenary Siegfried Müller in the documentary “The Laughing Man” (Walter Heynowski and Gerhard Scheumann, DEFA studio for newsreels and documentaries, 1966), as well as records from the German colonial period in Africa. An intensive contribution to the necessary public debate about the consequences of military operations.

Dawn breaks on the 17th of August, and Laksmi prepares for a celebration of the Indonesian independence day. As she embarks on her preparations, she experiences visitations by familiar faces from her past, reminding her of the folly of nostalgia in a post-colonial world.

Three friends drive through the mountains looking for a community of Palestinians they've only ever heard about.

Photographer and visual artist Sammy Baloji’s fascinating film essay explores the Democratic Republic of Congo’s colonial history and its ecological significance. Drawing on research from the 1930s, the film highlights the Congo Basin’s vital role in consuming carbon dioxide and shaping global environmental balance over a century.

A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.

The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

An overview of the principles and directives of India's post-independence constitution.

Along the Maroni River between Suriname and French Guiana, Boogie, a boatman, transports fuel and supplies to remote Maroon and Indigenous communities by motorized canoe. As gold mining, floods, and corporate exploitation reshape life along the river, each stop becomes a place of exchange — of goods, stories, and songs. Moving against the current, he must navigate obligations to his clan, the river, and an unforgiving economy.

The largest country in the Arab world and a producer of hydrocarbons, Algeria has everything it needs to weigh on the international scene. But Africa's second military power seems undermined by its internal problems. While the Bouteflika regime has fallen and the popular “hirak” movement has shown that the people are ready to enter a more democratic era, the country appears as a colossus with feet of clay, which has failed enhance their independence. How did this isolation come about? From the “dark decade” of terrorism to the fall of Bouteflika, via 9/11 or the Arab revolutions, this documentary sheds light on Algerian foreign policy in recent decades, while deciphering the strategy of Western powers towards it.