12-year-old Renato experiences three significant events on the same day: the beginning of the Second World War, getting a bike, and witnessing the arrival of the gorgeous Malèna. Through his eyes, we see the curse of beauty and loneliness of Malena, whose husband is presumed dead, and, through his soul, we see his love for her.

Geng socialite mother; Lolita was a widow who became entrepreneurs due to expensive boutiques treasure Gono-gini ex-ex-husband, Anis rather an idiot, and Uut fat, often hold joint gathering costly. By the time the three get together, the mortal enemy of Lolita, Misye, while gathering brought a popcorn (the term to refer to youth aged bear) named Erik. Misye gaze is believed to be a challenge for Lolita, which eventually terkompori and with Anis and Uut, holding auditions looking for popcorn at the shop.

Karen leaves Zack to go on the hunt with her Step Mother for wealthy younger men.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Tells the tale of three buddies in their 20's whose love-lives are in shambles. They go to Aspen to pursue the booming trend of dating cougars: hot older women who prey on hot young guys.

When Spence and Hogan graduate from college, life is bleak. They have to work for heinous divorce lawyers that torture them with gruesome jobs. Spence has a girlfriend from hell, and Hogan just wants to start his life. As luck would have it, these two young men are presented with an opportunity, and develop a club of young men devoted to older women, whom they call “Cougars.”

Benji has become stranded on a remote island after a boating accident. He finds himself struggling to survive in the wilderness, avoiding close encounters with a wolf, a bear, and a territorial female cougar with her cub.

After the death of his father, a 16-year-old boy struggles with anger and instability, distancing himself from his mother. His search for escape leads him to a lonely dominatrix living nearby, a woman accustomed to giving and controlling pain. Drawn to her world, he seeks both solace and love, while she finds herself pulled into a bond that neither expected but both need.

The characters we met a little more than a decade ago return to East Great Falls for their high school reunion. In one long-overdue weekend, they will discover what has changed, who hasn’t, and that time and distance can’t break the bonds of friendship.

In a surreal small‑town version of 2007 Texas, a young graffiti artist lands in jail and is coerced into spying on his cousin—suspected by an unhinged cop of dealing nuclear weapons. What follows is a frenetic, gross‑humored ride through conspiracy, over-the-top characters, and chaotic counterculture.

High society women of a small Greek town try everything to have sex with the first male they can find.

A man (Howard Keel), his wife (Jane Greer) and his famous-aviator ex-wife (Patricia Medina) search for their two children lost with a cougar.