After New York City firefighter Terry Lynch is unable to receive any compensation for an injury incurred during the off-duty rescue of a young girl, he grows suicidal. Furious, his brother Jimmy attempts to have Mayor Tyler intervene, but the corrupt politician instead denounces Terry as a drunk. Determined to get justice, Jimmy begins a graffiti campaign of embarrassing slogans mocking the mayor, which soon captivates the city.

During a severe summer heatwave, three generations of spirited women—a sprightly granddaughter, her fashionable mother, and a feisty grandmother—find themselves confined to their apartment without air-conditioning due to the granddaughter's injured leg. As the city buzzes with the uproar of a hygiene union strike, their home transforms into a funny battleground of mounting plastic. Water shortages add to their misadventures, teetering them between laughter and despair.

Set in grey space, the film tells us the story of a young girl named Jahnvi sitting alone in a dark, single room carrying multiple thoughts about her beloved and her relationship with him. Her chain of thought breaks when her friend Aman enters the scene who is happy and eager, differing from her low and gloomy mood and silent state. Towards the end, Jahnvi finally breaks her silence, only to reveal the shocking truth of her relationship and society.

Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be a treasure chest has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding? 'Of All The Things' is a narrative short inspired by lived experience with the aim of developing a compassionate dialogue around hoarding. This is a story about connection, not just a condition. The film was made with the support of the hoarding community to ensure authenticity, it is designed to visualise the unseen emotional impact hoarding behaviours can have on the relationship between family members. Produced by Kino Bino with funding from the BFI NETWORK and crowdfunding.

People taking the last subways in working days always wear crumpled clothes. Sitting in a nearly empty car, they look at each other, they get a glimpse of each other. After another day with lost chances, they only expect to arrive home. Tomorrow will be another day.

In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he's battling with a minority-owned firm for contracts.

A twisted man holds a TV newswoman and a girl hostage in the bowels of Grand Central Station.

After returning home from the Vietnam War, veteran Jacob Singer struggles to maintain his sanity. Plagued by hallucinations and flashbacks, Singer rapidly falls apart as the world and people around him morph and twist into disturbing images. His girlfriend, Jezzie, and ex-wife, Sarah, try to help, but to little avail. Even Singer's chiropractor friend, Louis, fails to reach him as he descends into madness.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.

Inspired by the poem Hamza by the great Palestinian poet Fadwa Tuqan, compares and connects the mystery of the fertility of the Palestinian land to the mysterious power of it's women.

A filmmaker is invited to an actor's house, who is keenly interested in his story. For the story to be told, the characters need to speak for themselves so they began speaking and they said