Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.

A woman discovers she's been married to a serial killer for fifteen years, albeit unwittingly. Her mind fractures as she examines her complicity -- should she have known? Could she have prevented him from killing? Or was part of her subconsciously attracted to his evil side?

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.

Katie has escaped an abusive household with her dog and younger sister Haley, in exchange for a less than ideal temporary housing environment. They soon realize that someone is too eager to welcome them to the neighborhood.

After stumbling upon a surreal scene of a Wolf eating his birthday cake, a troubled boy finds himself stuck in a desperate struggle trying to convince his skeptical friend of what he just saw. When his friend refuses to believe him, the situation gets dramatically worse as worlds unravel and true human nature is revealed.

The mind of a prisoner, expressed through various poetic stanzas, corrodes at the same rate as the house they are trapped in.

A young man who is still living at his parent’s house wakes up in a very strange situation in the middle of the night. The house is dark and there is no trace of his parents. He searches for them and tries to find out what happened…

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

A vent in the form of an experimental short film, Lip Balm is about finding ways to cope with what can feel like the lowest moments of one's life.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Mara—the spirit of the night, the weaver of darkened dreams—pressed upon my chest as sleep held me captive. My memory. In the haze of a dream, I saw those I loved, their faces bathed in an otherworldly glow. The nightmare was not the shadows nor the fear they whispered, but the cruel certainty of waking—of losing them to the morning light