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No description available.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.

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In a world torn apart, silence speaks louder than words. A fleeting moment of birth challenges the noise of war.

Andre inherits a small fortune, which pushes him into a series of surreal and aimless encounters with eccentric strangers.

In a tale of grief and rebirth, a young woman, paralyzed by the overwhelming weight of emotions, confronts the heart-wrenching choice between numbing her pain forever or embracing the agony to rediscover the beauty of feeling alive.

Dapo, a 14-year-old boy whose life took a dark turn when he became a victim of constant abuse . Dapo failed to recognize the wrong being done to him until his teacher enlightened him on the importance of consent. This newfound knowledge sparked something within him, forever altering his perspective.

The adventures of Rak, who after his dismissal begins to reflect on the meaning of the word work and on the act of working.

A single mother. Her marriage ring. Her routine.