Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Meryl Streep conducts us to a trip to New York City as presented in many films during the 20th Century, and how its cultural importance and impact are important to viewers. With a comprehensive gathering of clips from films between 1910's and 1990's, the documentary presents the mandatory classic films that presented the city and its multiple cultural variations, situations and the great stories filmed there. Actors and directors also discuss how they view the city in reality and also through the pictures.

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Francina, the employee of an old cinema, invites Mateo to a late-night screening just for them. What they don't know is that, in the shadows, someone is waiting to add them to his list of victims.

In 1960s Bengal, a young man, Gouranga, is tormented by grief and guilt after his wife’s tragic death. Venturing into a mysterious forest, he confronts his past and a looming supernatural menace in this chilling tale of loss and dread.

A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.

The film is set in Tangier, a city in northern Morocco known for its rich cultural heritage and vibrant artistic scene. It features Iliass, a young interdisciplinary artist who skillfully merges four distinct art forms—blurring the lines between tradition and modernity—to create a singular, innovative expression. Through Iliass's journey, the film explores the dynamic interplay of identity, creativity, and the transformative power of art, set against the backdrop of Tangier’s unique blend of Mediterranean and Moroccan influences.

No question seems more relevant in times like these than one: What is love? In the touching and captivating road trip documentary “What is Love?”, the film team embarks on a profound exploration, interviewing people from diverse backgrounds and cultures. They openly share their personal experiences, beliefs, and philosophies about love, revealing the extraordinary power and enigmatic nature of this universal human emotion. As the journey unfolds, viewers are taken on an introspective and unfiltered ride that ultimately challenges their own perceptions and understanding of what it truly means to love and to be loved.

She is the grande dame of German and international cinema, always a bit of a rocker chick, freedom-loving, adventurous and willing to take risks. This portrait unfolds Iris Berben's career, which has spanned more than five decades - between the art of film and television, between rock 'n' roll and political commitment.

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Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.