
G.I. Journal
Comedy · Documentary
Overview
We see them all here including male vocalist Harry Babbitt, comic Ish Kabibble and guest stars like Jerry Colonna, Mel Blanc, Lucille Ball and Linda Darnell.
Top Cast


Linda Darnell
Linda Darnell
Self
Linda Darnell
Self


Lucille Ball
Lucille Ball
Self
Lucille Ball
Self


Ginny Simms
Ginny Simms
Self
Ginny Simms
Self


Kay Kyser
Kay Kyser
Self
Kay Kyser
Self


Mel Blanc
Mel Blanc
Self
Mel Blanc
Self


M.A. Bogue
M.A. Bogue
Self
M.A. Bogue
Self


Jerry Colonna
Jerry Colonna
Self
Jerry Colonna
Self
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Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place. Edited down from The Shining Future (1944).

Ancestors of music videos, YANKEE DOODLER, ROSIE THE RIVETER, and DEAR ARABELLA were made during World War II for coin-operated jukebox devices found in restaurants, bars and train stations. On built-in glass screens, they projected 16mm films of artists performing popular tunes. These examples, although not in perfect condition, are time capsules of their era. William Frawley was a vaudevillian and musical comedy performer decades before he played Fred Mertz on I Love Lucy.

Marine Sergeant Bob Lansing has just completed a tour of duty in the Pacific and is off to study at the Officer's Academy in Annapolis if he passes the entrance exam. He soon finds out that his younger brother, Jimmy Lansing, just recently made sergeant as well, will also be taking the exam with him. The Lansing brothers are hard working and patriotic military men and both deserve to be accepted into the Academy, but they learn there is only one spot available. As entrance into Annapolis is dependent both on their exam results and their record, they are encouraged by the base colonel to enter into a friendly rivalry for the three weeks on the base prior to the exam. They also enter into a friendly rivalry for the affections of Penelope Hayworth, the admiral's daughter.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.













