
All in Favor
Comedy · Drama
Overview
At a downtown Madrid building, an ordinary meeting of neighbors commune to vote on a change of elevator. However, the event escalates into a full-blown conflict after the unexpected announcement that a new, mentally ill tenant will rent an apartment.
Top Cast


Raúl Fernández de Pablo
Raúl Fernández de Pablo
Alberto
Raúl Fernández de Pablo
Alberto


Clara Lago
Clara Lago
Nuria
Clara Lago
Nuria


Tito Valverde
Tito Valverde
Fernando
Tito Valverde
Fernando


Gonzalo de Castro
Gonzalo de Castro
Ricardo
Gonzalo de Castro
Ricardo


Christian Checa
Christian Checa
Lucas
Christian Checa
Lucas


Neus Sanz
Neus Sanz
Maite
Neus Sanz
Maite


Charo Reina
Charo Reina
Lola
Charo Reina
Lola


Pepe Carrasco
Pepe Carrasco
Joaquín
Pepe Carrasco
Joaquín
Similar Movies

Madrid, Spain, 1975; shortly after the end of the Franco dictatorship. Six months after the mysterious death of his lover, a prestigious tailor, a married woman visits the office of the young Germán Areta, a former police officer turned private detective, to request his professional services.

When Victor attempts to seduce Elena, all he gets for his trouble is a one-way, six-year ticket to prison, where he concentrates on strengthening his mind, his body... and his desire for vengeance on the man who put him there. After his release and still madly in love with her, Victor will stop at nothing to win her over even if means revenge, for Elena has married David, the cop who sent him to prison!

Pushed to the breaking-up point after their latest 'why can't you do this one little thing for me?' argument, Brooke calls it quits with her boyfriend Gary. What follows is a hilarious series of remedies, war tactics, overtures and undermining tricks – all encouraged by the former couple's friends and confidantes …and the occasional total stranger! When neither ex is willing to move out of their shared apartment, the only solution is to continue living as hostile roommates until one of them reaches breaking point.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

















