Bangarada Gudi is a 1976 Indian Kannada film, directed by K. S. R. Das and produced by C. H. Prakash Rao. The film stars Vishnuvardhan, Manjula, Ambareesh and Padmapriya in the lead roles. The film has musical score by G. K. Venkatesh. The director remade the movie in Telugu in 1979 as Bangaru Gudi.

Passingness is a haunting exploration of identity, memory, and the fragile edge of reality. As the narrative unfolds through emotionally charged performances and a tense, introspective atmosphere, the audience is drawn into a fragile space between being and disappearing. A haunting meditation on identity, loneliness, and the terror of not being seen. Driven by intense, intimate performances, the story unfolds in layers of psychological tension, revealing inner scars, blurred truths, and the quiet terror of not knowing who you are or if you ever were.

A tutor hired by a wealthy family witnesses a murder, while travelling by a train. She faces a dilemma when she realizes that the murderer is the patriarch of the family she has been hired by.

A dozen foreigners are kidnapped by a terrorist group in the Philippines.

When a couple get into a fight, the girl takes a decision which changes their lives in an unexpected way.

A thief breaks into a house in broad daylight, only to find another thief already at work. As they confront each other, suspicion turns into conversation, and in a quiet moment of unexpected kinship, one offers the other a cup of tea before they part ways.

Sanjay and Abhisekh, two friends are talking in a cafe. Sanjay slowly starts seeing things straight out of his darkest nightmares.

A former hitman wallows in the idea of him having to come in terms with the fact that he is ageing up without a purpose (in this new life) as he is confronted by the demons of his past life.

Rio, an introverted young man, tries to make a living for himself by commiting petty theft in restaurants and resorts around the Croatian coast. His life, however, drastically changes when Andrea, a young Serbian part-time worker, enters his life, with the two becoming partners in crime, planning a major heist of two wealthy women staying at the hotel Andrea works at.

Assigned to a missing person case, reporter Trish Bostwick follows the trail to a secluded asylum hidden in the New England woods, but everything changes when a knife-wielding stranger hijacks her car, plunging her into a descent of paranoia and madness.

A reporter arrives in Rijeka and is placed in a hotel room numbered 23 where he also meets a mysterious roommate with a shady past. His arrival in the city coincides with the dissappearence of a famous local musical artist. His interest sufficiently piqued, he starts an amateur investigation of his own, which traps him in the inescapable clutches of the city's criminal underworld, putting the life and safety of both him and his family at risk.

A depressed romantic thinks he's found 'the one' despite her polyamorous lifestyle, but shit gets too real when her boyfriend crashes Monopoly night.