A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.

An abandoned baby is saved by a river god. Now aged 20, she yearns to see the world outside the water.

During the later years of Goryeo Dynasty (918-1392), a talented martial artist is murdered. His resentment makes him born again as Bulgasari, a monster that grinds and eats up iron. The monster takes his revenge on the traitors responsible for his death.

The Sorrows of Satan is a 1917 British silent fantasy film directed by Alexander Butler and starring Gladys Cooper, Owen Nares and Cecil Humphreys. Made at Isleworth Studios, and based on the novel of the same name, the plot involves a poverty-stricken author so depressed that he agrees to sell his soul to the Devil.

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The movie takes place between Seasons 1 and 2. The Green Forest Village hosts a festival in celebration of the 1000th anniversary of the large tree growing in the middle of the village. While Curucuru and his friends are helping in the festival, they learned that tree's vitality is due to a legendary item call the Pingya, which gives it Eternal Love and Life. But in the midst of the festival, a bunch of Pirate Hyenas came to the village and stole the legendary item, causing the tree to wilt. Now it's up to Curucuru and his pals to get it back from the pirates, before things can go worse. But amid-st the actual troubles they face, the kids also encounter a strange Tiger child, who is connected to the incident.

A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. Note: This is a LOST film; the existing film of the same name is the remake from 1900.

L. Frank Baum would appear in a white suit and present his live actors, slide shows and films as a live travelogue presentation of his popular fantasies. Highlights include Dorothy being swept to Oz in various ways, such as with back-projection tornadoes and storms in a chicken coop. Lack of financial backing forced the show to fold after appearing in only two cities, despite being a critical and commercial success. This film is lost.

This is the story of the heartless mother whose burdens are such that she would be rid of her two children. The henpecked father is compelled to take them to the woods and there lose them. Gretel drops bread-crumbs to find her way home, but wild-fowl eat the crumbs and they are truly lost. The babes wander to the home of a witch, who would fatten them up to make ginger-bread of them. As they are about to be thrown into the blazing furnace Peggy outwits the witch, and, in turn, the witch is thrust into the roaring flames, as the mother, repentant, heads the neighbors in the work of rescue.

A matchmaker sets out to have a rich woman marry the not-so-rich boy she loves, and tries to persuade a poverty-stricken nobleman to marry the commoner he loves.