Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Amid pink decorations and glitter explosions, a group of friends end up throwing a killer party! Now, with the help of two charlatan policemen, these little girls are going to investigate the most "pink" murder of all time.

Over the years, Adela and Victoria live an impossible love story and are strongly punished by the law and by the society of the 60's and 70's in Spain. However, despite all the impediments, they cannot forget each other.

Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.

Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.

Three queer twentysomethings navigate their daily lives in Utrecht throughout this symmetrically framed mosaic narrative. A colourful slice of life visualising queer joy and celebration.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

This film is like a person standing naked in the middle of a square, covered in wounds, holding up a sign that says “Free Hug.” Many people come to embrace him, and he embraces many in return. Yet this does not mean that those who embrace him are unscarred—it is only that they are clothed. — Director Zhang Yu

The final four contestants on a reality TV dating show called “The Catch” as they arrive on a remote island in the Pacific Northwest, prepared for another week of sleep deprivation, invasive interviews, and salacious drama. Each has her own reason for joining the show, from brand sponsorships to trying to amass followers to even finding love. However, no one is prepared for Patricia, a misunderstood local living alone in the island’s dense woods. When the cast and crew finally encounter her on the island’s highest peak, they realize that survival, not romance, may be the biggest prize.

Worried about her husband being allergic to dust, Nat, a recently-dead woman, returns as a ghost possessing a vacuum cleaner to clean the house and protect her family from other vengeful ghosts in the house. To become a useful ghost, she needs to get rid of the useless ones.

The morning after a class reunion, two hungover colleagues reconnect over breakfast but unspoken tensions of loss and desire adorn the air between them, driving them further apart.

A young trans woman is chased into a junkyard while being followed home late at night. Trapped among the heaps of scrap, she must outwit her predator and summon the strength of a goddess in her desperate fight for survival.