
5 Centimeters per Second
Drama · Romance
Overview
Spring 1991. Takaki and Akari meet in elementary school and continue to exchange letters even after she moves away. They make a final promise to each other to meet again. It is now 2008. They live their respective lives, paths never crossing. Enduring memories and a premonition of that promised day. Even now, their words from that day drift quietly, transcending time and distance. An ephemeral story of a promised reunion with someone precious.
Top Cast


Hokuto Matsumura
Hokuto Matsumura
Takaki Tohno
Hokuto Matsumura
Takaki Tohno


Mitsuki Takahata
Mitsuki Takahata
Akari Shinohara
Mitsuki Takahata
Akari Shinohara


Yuzu Aoki
Yuzu Aoki
Teenage Takaki Tohno
Yuzu Aoki
Teenage Takaki Tohno


Nana Mori
Nana Mori
Kanae Sumida
Nana Mori
Kanae Sumida


Mai Kiryu
Mai Kiryu
Risa Mizuno
Mai Kiryu
Risa Mizuno


Haruto Ueda
Haruto Ueda
Young Takaki Tohno
Haruto Ueda
Young Takaki Tohno


Noa Shiroyama
Noa Shiroyama
Young Akari Shinohara
Noa Shiroyama
Young Akari Shinohara


Aoi Miyazaki
Aoi Miyazaki
Midori Koshimizu
Aoi Miyazaki
Midori Koshimizu


Hidetaka Yoshioka
Hidetaka Yoshioka
Ryuichi Ogawa
Hidetaka Yoshioka
Ryuichi Ogawa


Takashi Okabe
Takashi Okabe
Kunihiko Kubota
Takashi Okabe
Kunihiko Kubota
Similar Movies

Jharia, India, one of the most dangerous places on earth. Fires rage underground, smoke and dangerous fumes belch from cracks in the ground. This is the home of Anant, an 8 year old boy who scrapes a living picking coal and selling it at the local markets to try and feed himself and his sick mother. One day, a chance encounter changes Anant's life, forever. This is a coming of age drama that casts a spotlight on a humanitarian disaster area and gives us a chance to see the world through the eyes of one of India's many child labourers.

With problems on the home front, 15-year-old Murra is on the verge of lashing out. That is, until her policeman uncle thwarts her self-destructive behaviour with a lifeline: a “photo-safari for at-risk kids”. Murra isn’t entirely convinced, but she soon joins cantankerous Kylie, uptight Sean, happy-go-lucky Elvis, and camp counsellors Fernando and Michelle on a transformative bus trip to the Pilbara. On the trail, the teens learn about fun, friendship and first crushes, as well as the forces of ‘reality’ that puncture the bubble of youth.

During the student crisis of 1968, Ines, an 18-year-old homosexual, is prevented from attending law school by her family, who believe that this is not the right course for a woman. This awakens in Inês a feeling of injustice, which leads her to accept Julio's invitation to join the high school students' association. The next day, we find out that the student association has been closed since they found a copy of the clandestine newspaper "Avante!" on the premises. The rectory then decides to expel suspicious students, starting a revolt in the high school and an ideological confrontation between the couple of Inês and Adelaide.

Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.

In the middle of the Los Angeles ghetto, drugs, robberies and shootings dominate everyday life. During these times, Furious tries to raise his son Tre to be a decent person. Tre's friends, on the other hand, have little regard for the law and drag the entire neighborhood into a street war...

In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
Four boys, friends and cousins, in between adolescence and adulthood, make the most of their holidays. Followers of Renoir, with pure simplicity and casualness, emancipated from the ponderousness of a script, these four boys involve us in the nonchalance of their idleness, and in their free-flowing futility. In the course of some idle-talk, of a carefree swim in the river of time, or the vacuity of a summer evening, the memory of communist past resurfaces.















